The Nielsens Are Evil
As I watched Better off Ted last night, I was again struck with anger that the shows I like are always either on the bubble or sure of being canceled. [Edited to add: According to TV by the Numbers, Better of Ted gets 4.5-5 million viewers, a 1.9 in the 18-49 demographic. American Idol gets 18 million viewers, a 8.0 in the 18-49 demo.]
It all started when I was nine, and a little show starring Sarah Jessica Parker and a cast of odd characters. That show was Square Pegs. My best friend and I watched it every week, delighting in Patty and her fat friend’s journey through high school, the odd behavior of Johnny Slash and his buddy Marshall, the Valley Girl stylings of Jennifer, the grudging respect Jennifer’s boyfriend Vinnie began to show Patty as the year progressed, and the elevated diction of Muffy. Muffy and Brother Dan, the vice principal at the Catholic high school I graduated from, are the only people I have heard use the work behoove and mean it.
Square Pegs made it through one year on the air, but that was it. Its cancellation cut me to my core. I wish I could say that was the last time I was crushed as one of my favorite shows didn’t make it back on the air, but the list is too long for a blog post.
Twin Peaks almost canceled itself, with its quick drop in quality after the reveal of the central mystery. ABC put it out of its misery when it canceled it, but it still hurt.
Veronica Mars was one of the best shows I’ve ever seen, standing up to my incessant replays of its three short years.
This year, I fear that I will again have to bid a fond farewell to some high-quality shows. And that I will again be left with nothing but an unsatisfying cliffhanger to watch again and again on the DVDs as others revel in their Americal Idol, Dancing with the Stars, CSI, and Grey’s Anatomy. I will again curse the random sampling method of gauging viewer interest in their television shows. The Nielsens have been cruel to me over the years, and I would like to see a ratings system that I can at least believe is accurate.
Yet I still look forward to the upfronts. The announcements of which shows have been spared and which new shows I will get attached to in the fall. The mourning period that begins when the cancellations are for sure.


